Dreamweaver Deliberations on the subject of Surrealism, Meta-creation, and Inspiration
within Transcendent Afterglow

THE IMAGINARIUM

The credo of Imaginary is primarily based on the act of pursuing the superior reality of innumerable forms and associations, normally neglected, for they are illusory. With the omnipotence of dreams, that involuntary play of imagination,  we are periodically inspired to ignore the physical forms and upgrade these associations with Astral projection. The emerging scenario can be captured from the crannies in dreams, or through the transmission process from some mystical soul in the state of transcendence. This overshadowing can cause anything it wants in the mind of a dreamer, therefore, the intention to explain the significance of transmitted content, is ambivalent, as life in death is. It can be expressed through visionary art, which then reveals its own truth.

On the other hand, thousands of sacred scriptures and pathways to the prescribed and ready-made Truth, find their followers and fanatics. By utilizing the lies, indulgence, assumption, make beliefs, rumors, superstition, conspiracy theories, and quasi-new age philosophy. Until the veracity of truth, turns into an obscure construct or babbling gibberish. Consequently, it is spread into various fields of activity, making the impression of repositioning life somewhere — forward?

» It has to be seen to be believed «

DREAMWEAVER  WONDERLAND I.

The reflection of timelessness in an era of extreme aberrations. A cry-out communication with the vanishing world. The existence in an indefinite period of reality. The externalization, that will soon be subject to the forces of degradation and decay, hardware incompatibility; eventually, be subjected to destruction by the barbarians. In one distant day, these artworks will be inevitably depreciated and disintegrated into digital dust.

Better it remains perfect in Immanent as Imaginary. The immutable state of imaginary art is; as a powerful mind concept only; before it manifests into criticism and mockery of the transience beings.  Regarding the concept, the creation is manifested by the collective unconscious, from the era, beyond the immediate truths of the visible world.

The Origin of imaginary art may also relate to entoptic imagery, generated by the altered states of consciousness. Therefore, it can be assumed that makers are the custodians and heralds of parallel spheres, rather than active members of modern society and its rites. They are striving hard to mark the message, authentic and socially critical. Whatever the response of the world is, they remain stoical. But what will it make you believe?

» It has to be seen to be believed «

SPHERE OF IMAGINATION II.

The Sphere of Imaginary Scenography encompasses assemblings of joyfulness, hopefulness, and hopelessness at the same time. The position and the role of transient man in a tantalizing and deceiving world, full of potential force. Scenography, inspired and composed out of captured glimpses is used metaphorically and refers to an uncommon sense of beauty, that seems to be impossible to attain.

The computer-generated assembly might be challenging for today’s audience, because of their obscure imagination as compared to the existing guidelines of Surrealism. The content is interwoven with deep symbolic meaning and mixes in an unusual way.

Out of the compendium of Earth-Energy – Akasha – Records, the core concept of the scenography, begins to clarify. Resulting in images of multi-dimensional spheres, and fantastic surfaces. “A  black hole of meta-creation? Aberration of the Astral voyage; Phosphenes; Transcendent Afterglow”… It shakes the mortal being — lost among all this inconceivable greatness to the very core, and it causes chaos. But it helps!

» It has to be seen to be believed «

RELENTLESS QUEST III.

Although initially non-visible to the public, the imaginary still exists, as surely as Immanent Consciousness itself exists.  Regarding the final constructs, there is a sense of appreciation to fiction which is deeply encoded. The past of imaginary storylines was recorded far back in a time of the invisible man on the sky, existing only as a myth in a blurred memory.  A time of incomprehensible fears, followed by adoration of fake idols and idealism. Gone they are, swept away, for the reasons long forgotten. Though past is essential for the comprehension of what the future holds, today’s modern society mainly feeds on alluring beauty of consumerism and glamour, which doesn’t contribute anything to the prosperity of the human spirit.

In conclusion, imaginary artist cognition rests in a burning desire to escape the prison of the known and the real; a strong affection for the world on the other side; in the Spheres of the Ultimate Dreamer’s dream, beyond boundaries of secure. From here a diligent creation is outpouring, as a result of a courageous quest

» It has to be seen to be believed «

» Trust the dreams, for in them is hidden the gate to eternity «

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